Steve Sperry – Then and Now and Now Is Then [LP]

Steve Sperry‘s album Then and Now and Now Is Then opens with a bang, as “Flying Under the Ben Franklin” creates an anticipatory, uplifting atmosphere that makes you feel like your moments away from entering a bustling dance club. The rhythm of the track is pulsating, with a sense of urgency and building intensity, while the kick drum adds a plush organic sound amidst the neon-lit synths. And the layers of techno arpeggios create a complex, citrusy sound that really opens up the track. Changing lanes, “The Moon Room” serves up a fresh techno track with a mellow ambiance, seamlessly connecting fast-paced dance anthems with more easygoing, low-key grooves. The track’s laid-back rhythm and hypnotic synth melodies keep listeners hooked, while the futuristic sonic landscape maintains their interest.

With an ominous and cosmic atmosphere, “Bad Things Happen in Philadelphia” dives into the world of sparse acid techno. The reverberation of percussive elements and tribal drumming create an otherworldly sensation, while the evolving arrangement provides a fresh, cosmic, and welcoming experience. Energy levels are ramped up in “X Marks the Spot,” which features a pulsing beat and forward momentum that pulls listeners in. The groove is characterized by a thuddy kick drum, sizzling hi-hats, 808 handclaps, and a squelchy bass synth, giving it an old-school electro energy with an alien-like syncopation. The entire thing takes listeners on a wild ride, especially when singer/emcee vidpoet adds his vocals to the mix.

Slinky and sexy vibes take center stage in “Needs and Wants,” an acid house track that captivates with its shimmery yet nocturnal drums, ethereal synth pads, and robotic vocals from vidpoet. The dramatic build and release structure make it feel like something is being unveiled, making it one of the best songs on the album. The tuned-up and tweaky vocals and rhythmic inhales are a standout aspect of the song, showcasing vid‘s unique contribution to the track. Transporting listeners to a club filled with flashing lights and writhing bodies, “I’m Curious If You Can Tell Me What It Looks Like I’m Doing If You Have a Second” stands out as an high-energy acid house track with a mood-lifting atmosphere. The pulsing drums, electric-wire vocals, and polyrhythmic structure evoke an almost tribal feel, giving the finished product a sense of excitement and frenzy.

Tension and anxiety characterize the concluding techno track, “Million Dollar Scratchie.” The gothic, organ-led breakdown at the song’s midway point and the layers of edgy synths add to the unique character of the song, while the driving energy keeps listeners engaged and on edge.

All in all, Steve Sperry‘s Then and Now and Now Is Then is a sonic rollercoaster that takes listeners on a thrilling ride through various electronic music styles. From the infectious energy of dance tracks to the soothing vibes of laid-back beats, this album demonstrates Sperry‘s versatility and creativity. Don’t hesitate to dive into this eclectic collection and immerse yourself in its vibrant soundscapes.

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